Uncategorized – SAMT 2010 http://samt2010.org/ Tue, 30 Nov 2021 19:00:18 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://samt2010.org/wp-content/uploads/2021/10/cropped-icon-1-32x32.png Uncategorized – SAMT 2010 http://samt2010.org/ 32 32 Look For The Spice As ‘Dune’ Comes To Digital And Blu-Ray https://samt2010.org/look-for-the-spice-as-dune-comes-to-digital-and-blu-ray/ Tue, 30 Nov 2021 18:06:00 +0000 https://samt2010.org/look-for-the-spice-as-dune-comes-to-digital-and-blu-ray/ It says, “Those who control the spice, control the universe. Embark on the journey of a mythical, emotionally charged hero as warring forces attempt to control the most powerful substance known to man when Warner Bros. Pictures and Legendary Pictures’ Dune arrives for Premium Digital Ownership on December 3 and in 4k, Blu-ray and DVD […]]]>

It says, “Those who control the spice, control the universe. Embark on the journey of a mythical, emotionally charged hero as warring forces attempt to control the most powerful substance known to man when Warner Bros. Pictures and Legendary Pictures’ Dune arrives for Premium Digital Ownership on December 3 and in 4k, Blu-ray and DVD on January 11.

Dune tells the story of Paul Atreides (Timothée Chalamet), a bright and gifted young man born with a great destiny beyond his comprehension, who must travel to the most dangerous planet in the universe to secure the future of his family and his people. As malevolent forces explode in conflict over the planet’s exclusive supply of spice, the most precious resource that exists – a commodity capable of unlocking humanity’s greatest potential – only those who can overcome their fear will survive.

Watch the exciting trailer:

Dune Oscar nominated stars Chalamet (Call me by your name, Little woman); Rebecca Ferguson (Doctor Sleep, Mission: Impossible – Fallout); Oscar Isaac (the Star wars franchise); Oscar nominee Josh Brolin (Milk, Avengers: Infinity War); Stellan Skarsgård (televisions Chernobyl, Avengers: Age of Ultron); Dave Bautista (Guardians of the Galaxy movie theater, Avengers: Endgame); Stephen McKinley Henderson (Fences, Lady Bird); Zendaya (Spider-Man: Homecoming, televisions Euphoria); Chang Chen (Mr. Long, crouching tiger, Hidden dragon); David Dastmalchian (Blade Runner 2049, The black Knight); Sharon Duncan-Brewster (Rogue One: A Star Wars Story, televisions Sex education); with Oscar nominee Charlotte Rampling (45 years old, Assassin’s Creed); Jason Momoa (Aquaman, Game Of Thrones); and Oscar winner Javier Bardem (There is no country for old people, Fall from the sky).

The critically acclaimed film was directed by two-time Oscar nominee Denis Villeneuve (Arrival, Blade Runner 2049) from a screenplay he co-wrote with Jon Spaihts and Eric Roth, based on the classic blockbuster novel of the same name by Frank Herbert.

The film was produced by Mary Parent; Villeneuve; Wedge Boyter; and Joe Caracciolo Jr.; with Tanya Lapointe; Joshua Grode; Herbert W. Gains; Jon Spaihts; Thomas Tull; Brian Herbert; Byron Merritt; and Kim Herbert executive producer.

The stunning VFX and GFX were produced by DNEG (VFX Supervisors: Tristan Myles & Brian Connor); Wylie VFX (VFX Supervisors: Patrick Heinen & Jake Maymudes); Rodeo FX (VFX Supervisor: François Dumoulin); and Territoire Studio; with Paul Lambert. Production as VFX supervisor.

Dune will also be available on Movies Anywhere. Using the free Movies Anywhere app and website, consumers can access all of their eligible movies by connecting their Movies Anywhere account to their participating digital retailer accounts.

The 4k, Blu-ray and DVD version comes with a bunch of exciting special features including making the spice harvester, the soundscapes used in the movie, and the creation of the creatures.

For a full list of all bonus content and special features, download the press release here.

Source: Warner Bros. Home entertainment

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Sam is a part-time English teacher, journalist, and full-time fiction writer, and if he writes one more word, it will be the most he has ever written.


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Animation Studio unveils the tapestry in the intro https://samt2010.org/animation-studio-unveils-the-tapestry-in-the-intro/ Sun, 28 Nov 2021 10:02:00 +0000 https://samt2010.org/animation-studio-unveils-the-tapestry-in-the-intro/ The graphic design studio behind The Wheel of Time introductory sequence explains how the animated tapestry of seven Aes Sedai alludes to the series’ themes. The opening title sequence for Prime Video’s The wheel of time is a fascinating depiction of a tapestry being woven, and the studio behind it gets a glimpse of why […]]]>

The graphic design studio behind The Wheel of Time introductory sequence explains how the animated tapestry of seven Aes Sedai alludes to the series’ themes.

The opening title sequence for Prime Video’s The wheel of time is a fascinating depiction of a tapestry being woven, and the studio behind it gets a glimpse of why these images were chosen and how they symbolize the themes of the fantasy series.

An intro analysis comes from Imaginary forces, starting with the explanation: “In a world where hope takes you far but magic takes you further, our title sequence sets the tone for the enduring fantasy saga.” The site then breaks down each element of the hyperrealistic animation that plays out at the start of each episode.

RELATED: Wheel of Time Showrunner Debunks Laila Fan Theory


Because the philosophy behind The wheel of time relies heavily on weaving metaphors, tapestry is an appropriate way to introduce the spectacle. The titular wheel spins the “pattern of ages” and characters who can channel the unique power would use different “weavings” to cast their spells. The imagery persists throughout the series, with a common refrain, “The wheel weaves as the wheel wants it”, and various references to the threads that make up the motif.

Imaginary Forces writes about incorporating these ideas, saying, “When showrunner Rafe Judkins asked us to design a main title that would bring the fantasy series to screen, we embraced the idea of ​​incorporating the themes of magic and matriarchy in the opening. breaking the world, a single strand of horizon shatters, bursting into a fan of jewel-toned threads as they overlap in a cosmic-scale loom. In our concept of a vast tapestry, power is channeled and patterns emerge. “

RELATED: The Wheel of Time: Traveling Artist Raises the Curtain on the Show’s Tradition

The sequence varies between close-ups of the loom and different aspects of the weaving process, but gradually the images it creates are resolved individually. At the end, he zooms out to show the completed tapestry, with the figures of seven women of varying physical appearances and costumes arranged in a circle. They are not the main characters of the series, but rather represent the seven sects of the Aes Sedai, called Ajahs. Finally, the entire tapestry dissolves in a burst of light and the show’s logo appears.

“The seven Ajah colors of female Aes Sedai intertwine before the image unraveled to reveal our reimagined logo: an endless serpent spiral,” concludes Imaginary Forces. “And so ‘The wheel spins as the wheel wants …’, everything to start the cycle again.”

The wheel of time Season 1 is currently airing on Prime Video, with new episodes airing every Friday.

KEEP READING: The Wheel of Time Neatly Foreshadows a Handful of Key Events

Source: Imaginary forces

Barry (Grant Gustin) in The Flash Season 7

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Stop-motion Wonderland from ‘Robin Robin’, Aardman’s first musical https://samt2010.org/stop-motion-wonderland-from-robin-robin-aardmans-first-musical/ Fri, 26 Nov 2021 16:23:00 +0000 https://samt2010.org/stop-motion-wonderland-from-robin-robin-aardmans-first-musical/ Just in time for the holidays, Aardman Animations released Robin robin, their very first stop-motion musical featuring a goofy, lyrical little bird who desperately wants to be a devious mouse. For Daniel Ojari and Michael Please, the creators of the special, the music was not only a fun part of the production process, but it […]]]>

Just in time for the holidays, Aardman Animations released Robin robin, their very first stop-motion musical featuring a goofy, lyrical little bird who desperately wants to be a devious mouse.

For Daniel Ojari and Michael Please, the creators of the special, the music was not only a fun part of the production process, but it was also, according to Ojari, “a very expressive part of the storytelling”.

“We loved the support of a musical to express Robin’s journey throughout the film, as he’s a noisy bird that lives with a family of silent mice,” says Ojari, who co-directed with Please . “We used the idea that she liked to sing and that she had her own song to sing, but that didn’t quite fit with the stealthy ones of these mice. She tries to be like them and sneak her song along, but it doesn’t work. And after her trip, the resolution is that she finds out where her song goes, where she fits and fits with her and has a newfound confidence in her melody. Weaving these analogies and lyrics through the movie was a really great and extra dimension of storytelling that we hadn’t used before.

Now streaming on Netflix, the animated Christmas story from the Oscar-winning studio known for Shaun the sheep and Chicken coop stars Christophe robin‘s Bronte Carmichael as a young bird named Robin, raised by a family of mice who make a living by stealing treats from the homes of humans. Despite Robin’s best efforts, she can’t seem to stop singing or flapping her wings, uncontrollably bumping into things that call attention to herself and her family of hungry mice. Eventually, Robin’s repeated failures to sneak up on his feet results in almost no house for the mice to steal.

To prove that she is a real mouse and atone for her mistakes, Robin sets out on her own to steal one of the last available houses. While meeting other bird friends along the way who agree to help him, Robin also manages to make an enemy of the local cat, voiced by the famous Gillian Anderson.

The film is a textile winter wonderland of tiny animal houses, furnished in shiny trinkets pulled from the trash, as well as larger-than-life views of worn-out home kitchens and sheds, designed to project the mystery of the larger human world. , which, of course, would be held in awe by a small robin bird.

“What’s exciting about stop-motion is that you can create these little worlds,” Ojari notes, “and you can play with the scale and feel the camera is right in these tiny little worlds. This is how we wanted the world to feel from Robin’s perspective. We figured if you’re a creature a few inches tall, you’re going to see the world from a really different perspective. Some bushes for Robin might be. like a forest. So exploring and designing the world from that perspective was a really fun and exciting endeavor. “

“Especially when they’re in the human world,” Please adds. “Like in the kitchen, for example. All of our main puppets are built at 170% normal scales, so they are just under twice the normal size. And so when we built the kitchen world, everything was built at that 170% scale. We would go inside and feel like tiny people with huge kitchen countertops and all those huge spoons and cups and teapots. We have to feel what it is to be at Robin’s scale and feel how intimidating and amazing the world would be.

These intimidating yet amazing worlds were built based on illustrations by Canadian illustrator Matthew Forsythe, the film’s production designer. “We’ve been huge fans of his work for many years, so we were delighted to see him join us on the project,” Please note. “Matt has an incredibly rich, textured world that he builds into his paintings, so we were really working to translate the look of it into a 3D world.”

He continues, “Translating artwork into 3D worlds is a big part of how we’ve worked over the years in terms of our approach to stop-motion filmmaking. We always start from a very graphic illustration model and then we integrate it into this dynamic 3D world, often building sets for the cameras so that they feel like they are put together like illustrations. Working with Matt’s production design was fantastic in that we could take these bold silhouettes and shapes and then find ways to richly texture them in a stop-motion world.

It was also the first time that Aardman had used felt to produce his characters.

“We focused a lot on the outline and silhouette of the characters,” Ojari explains. “We wanted them to be really distinct and very different from each other. There is a big theme of the difference in the film and how the differences working together make a result richer. Matt was brilliant in creating these really distinct, hopefully very recognizable characters who felt very different from each other.

But the event with all the details involved in creating felt puppets and elaborate, captivating environments, the biggest challenge according to Please and Ojari was to incorporate music into all the quick-witted moments, and the Aardman facial expressions – and stop-motion as a whole – is known for. All musical numbers for the film were composed by Please Ben’s brother and sister-in-law Beth Porter, also known as The Bookshop Band.

“The choreography on the musical side of the film took a lot of planning and that meant that obviously we had to have the songs and song lyrics fully understood before filming it,” Ojari explains. “We just tried to integrate the idea of ​​the rhythm of the music and the different melodies played into the action. You’ll see, throughout the movie, in the musical scenes, that even all the seemingly accidental things like Robin spilling a cup of tea and things like that, they’re all to the beat of the music.

From creating the animatic to creating the puppets and sets, to filming and releasing the finished product, creating a stop-motion animation is a notoriously laborious, laborious and time-consuming process. Adding choreographed musical numbers to the mix makes this workload even more difficult. Still, Ojari and Please say the best part of the stop-motion, while tedious, is the opportunity for spontaneity, and the music also made the playful parts of the production all the more fun.

“The humor, timing and nuance of these performances come from a lot of different places,” Please explains. “One of the things we do between the animatic and the filming is filming a live reference. So there’s a version of the movie that’s all Dan and I take on all the roles of the characters, filming us and composing us in the background. We then send it back to editing and discuss it with the animators on set. And the animators will often add their own contribution. “

“You can have ideas when you are there [on set] and try to integrate them into the performance, ”Ojari adds. “I think that’s the nature of stop-motion. It’s a slow process, but it allows for many ideas. And that’s a big part of the process that we love, being able to enrich every scene and shoot with as much as you can possibly think of. Being on the set and in this environment where you can see something like a spoon and ask yourself, “Oh, what if she steps on it here and makes it throw over there? It’s basically like playing with toys all day.

While Please likens the stop-motion filming process to a “highly controlled game,” he says the biggest difference and reward, compared to 2D or 3D, is that the result is an album of all ideas. gathered by members of the entire production team. “Stop-motion also has a purpose, and you can’t manipulate it indefinitely, which is very refreshing,” Please explains.

Ojari adds, “With stop-motion you usually have a chance to film it, so it’s like a live performance. And we love that element because you can plan as much as you want and fine-tune all the little details, but it’s ultimately about what happens on shoot day. You get that spontaneity and those little mistakes that you didn’t anticipate that come out in the finished product and make it even richer. And it was a really fun job to have the shot of so many of these scenes built around music and rhythm.

In their world of imaginary and fabric toys, the filmmakers say Robin robin also boosted their enthusiasm to create more stop-motion musicals. Please affirm that “of course we would like to do more. Ojari adds, “Maybe it’s because we have young families ourselves.” When you have small children you sing to them and the stuff they watch often involves a lot of songs. So, as a parent of young children, music is so much more a part of your life and your identity. And I think that has definitely found its place in our work. And that’s another reason to keep doing it.

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Victoria Davis is a full-time freelance journalist and part-time Otaku with an affinity for all things anime. She has reported on many stories ranging from activist news to entertainment. To learn more about his work, visit victoriadavisdepiction.com.


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Chinese Company Gold Valley Films Signs Agreements With AFM For US-Canada Directed ‘Ella and the Little Wizard’ Animation (Exclusive) | New https://samt2010.org/chinese-company-gold-valley-films-signs-agreements-with-afm-for-us-canada-directed-ella-and-the-little-wizard-animation-exclusive-new/ Wed, 24 Nov 2021 05:28:26 +0000 https://samt2010.org/chinese-company-gold-valley-films-signs-agreements-with-afm-for-us-canada-directed-ella-and-the-little-wizard-animation-exclusive-new/ Chinese 3D animation studio Gold Valley Films (GVF) has concluded a series of AFM sales on Ella and the little wizard led by agreements for the United States and Canada. Vertical Entertainment has acquired the US rights to the family title and Canada’s largest exhibitor, Cineplex Pictures, has acquired the Canadian rights and has committed […]]]>

Chinese 3D animation studio Gold Valley Films (GVF) has concluded a series of AFM sales on Ella and the little wizard led by agreements for the United States and Canada.

Vertical Entertainment has acquired the US rights to the family title and Canada’s largest exhibitor, Cineplex Pictures, has acquired the Canadian rights and has committed to a first quarter 2022 theatrical release through its new distribution arm.

Ella and the little wizard will open in China via Jackie Chan’s Sparkle Roll Media after their recent animated release Wish dragon and visited a number of key markets under deals made by GVF US Representative and industry veteran Ariel Veneziano.

Agreements have been made with Eagle Pictures in Italy, Factoris Films in France, Trinity Cineasia in Russia, Rialto Distribution in Australia, Pflug Co in Japan, Boxoo Entertainment in South Korea, Deepjoy Corp in Taiwan, Italia Film in the Middle East and Our Lusomundo in Portugal.

The film revisits GVF’s 2018 protagonist Ella Cinderella and the Secret Prince, who reimagined the Cinderella fairy tale as Ella saved her prince. In Ella and the little wizard the heroine and her friends embark on a quest to help Prince Alex become human again after he is magically trapped in the body of a mouse.

“We couldn’t be happier to work with Vertical and Cineplex for the North American release of the image, and such a distinguished group of distribution partners in international markets,” said GVF representatives Allen Tsang and Veneziano .

Guangzhou-based GVF, which has offices in Los Angeles, is in final stages of production on Little Emma, the story of a miniature girl raised by adoptive alpaca parents in a world of walking and talking animals who sets off to discover her origins and learns that the answer is not the fairy tale she expected.

The studio is in the process of developing two more animated titles – Nils: the new adventure, an adaptation of “The Marvelous Adventures of Nils” by Swedish author Selma Lagerlof, the first woman to win the Nobel Prize for Literature, and Wojtek the bear inspired by the true story of a mascot bear adopted by a Polish battalion that enlisted as a soldier during WWII.


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The Adult Animation Market Seeking Excellent Growth https://samt2010.org/the-adult-animation-market-seeking-excellent-growth/ Sun, 21 Nov 2021 08:48:00 +0000 https://samt2010.org/the-adult-animation-market-seeking-excellent-growth/ Animation market for adults Market Intellix (MI) has released a new report titled “Adult Animation Market”. The report offers in-depth analysis of key growth strategies, drivers, opportunities, key segments, Porter’s five forces analysis and competitive landscape. This study is a useful source of information for market players, investors, VPs, stakeholders and new entrants to gain […]]]>

Animation market for adults

Market Intellix (MI) has released a new report titled “Adult Animation Market”. The report offers in-depth analysis of key growth strategies, drivers, opportunities, key segments, Porter’s five forces analysis and competitive landscape. This study is a useful source of information for market players, investors, VPs, stakeholders and new entrants to gain an in-depth understanding of the industry and determine the steps to be taken to gain a competitive advantage. .
The report offers key drivers that are propelling the growth of the global adult animation market. This information helps market players design strategies to gain market presence. The research also highlighted the constraints of the market. Opportunity information is mentioned to help market players take further action by determining potential in untapped regions.

Request a sample adult animation market PDF report here @ https://www.marketintellix.com/sample-request/global-adult-animation-market-13587

The research offers detailed segmentation of the global Adult Animation market. The key segments analyzed in the research include the world and geography. An in-depth analysis of the sales, revenue, growth rate and market share of each for the historical period and forecast period is offered with the help of tables.

The market is analyzed on the basis of regions and the competitive landscape of each region is mentioned. The regions covered in the study include North America (United States, Canada and Mexico), Europe (Germany, France, United Kingdom, Russia and Italy), Asia-Pacific (China, Japan, Korea, India and Southeast Asia), South America (Brazil, Argentina, Colombia), Middle East and Africa (Saudi Arabia, United Arab Emirates, Egypt, Nigeria and South Africa). This information helps to design strategies and create new opportunities to achieve exceptional results.

The research offers an in-depth analysis of the major players active in the global adult animation industry. A detailed analysis of operational business segments, product portfolio, business performance and key strategic developments is offered in the research. Major market players analyzed in the report include Sunrise Inc., DreamWorks Animation, Studio Ghibli, Nickelodeon Animation Studio, Toei Animation, Fox Broadcasting Company, Williams Street Productions, Illumination Entertainment, Sony Pictures Animation, and VIA (Paramount Pictures). These players have adopted various strategies including expansions, mergers and acquisitions, joint ventures, new product launches and collaborations to gain a solid position in the industry.

Get Detailed COVID-19 Impact Analysis / Customized Report and Survey for Adult Animation Market Report: https://www.marketintellix.com/enquiry-before-buy/global-adult-animation-market-13587

Key Benefits:
• The report provides qualitative and quantitative analysis of current adult animation market trends, forecast and market size from 2019 to 2026 to determine new opportunities.
• Porter’s Five Forces Analysis highlights the power of buyers and suppliers to enable stakeholders to make strategic business decisions and determine the level of competition in the industry.
• The main impact factors and the main pockets of investment are highlighted in the research.
• The main countries in each region are analyzed and their contribution to income is mentioned.
• The Market Players Positioning segment helps to understand the current position of market players active in the Adult Animation industry.

Main report offerings:
• Main Drivers and Opportunities: Detailed analysis of drivers and opportunities in different segments for strategy development.
• Current Trends and Forecasts: Comprehensive analysis of the latest trends, developments and forecasts for the coming years in order to take the next steps.
• Segment Analysis: Analysis of each segment and driving factors, along with revenue forecast and growth rate analysis.
• Regional Analysis: An in-depth analysis of each region helps market players to design expansion strategies and leap forward.
• Competitive Landscape: Detailed information about each of the major market players to define the competitive scenario and take action accordingly.

Purchase the full version of this report at: https://www.marketintellix.com/buyReport?report=13587&format=1

Steven jones
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Address: SN 87/2, Kashid Park, Near Tresor Park, Pune, Maharashtra – 411027, India
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About Market Intellix
Market Intellix is ​​an expert in the field of global market research consulting. Using our ingenious, expert-built database, we offer our clients a wide range of bespoke marketing and business research solutions to choose from. We help our clients better understand the strengths and weaknesses of various markets, as well as how to capitalize on opportunities. Covering a wide variety of market applications, we are your one stop solution for everything from data collection to investment advice, covering a wide variety of markets, from digital products to the food industry.

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Netflix’s ‘Arcane’ is an animated masterpiece https://samt2010.org/netflixs-arcane-is-an-animated-masterpiece/ Sat, 20 Nov 2021 20:18:24 +0000 https://samt2010.org/netflixs-arcane-is-an-animated-masterpiece/ welcome to Thanks I love it, our series highlighting something onscreen that is obsessing us this week. If you postponed watching Netflix Esoteric because you don’t play League of Legends, stop it right now. Friends, you are missing some really amazing animation. The first television series from Riot Games and French animation studio Fortiche, created […]]]>

welcome to Thanks I love it, our series highlighting something onscreen that is obsessing us this week.


If you postponed watching Netflix Esoteric because you don’t play League of Legends, stop it right now. Friends, you are missing some really amazing animation.

The first television series from Riot Games and French animation studio Fortiche, created by Christian Linke and Alex Yee, Esoteric landed on Netflix on November 6, rolling out three episodes per week until the finale on November 20. And while the fans and players of League will find references, Easter eggs and character signatures galore throughout the series, any viewer can dive in and fully appreciate the series’ compelling story, nuanced characters and unique and breathtaking animation style .

To be clear: I don’t play League of Legends and I loved it.

The city of Zaun in “Arcane”.
Credit: Netflix

Drawn from the tradition of League, Esoteric focuses on the tensions between two cities, Piltover and Zaun. It is the rich elite against the dark underworld, where both sides develop technology to ensure dominance.

In Piltover, where council rules everything, scientists Jayce and Viktor (apprentices of the mustached Heimerdinger), create what’s called hex technology, which gives anyone the ability to use magic. Meanwhile, in Zaun, where Piltover Police conduct routine raids, a glowing purple drug called Shimmer turns people into monstrous creatures with super strength, which could prove beneficial in a latent rebellion. It’s here that we meet the sisters and protagonists Vi and Powder (later Jinx), who go their separate ways for years after tragic events.

SEE ALSO:

Escape reality with the 10 best animated movies on Netflix

While the series ‘extremely dark plot and established characters are a big plus, the series’ animation is worth the trip in and of itself: it’s both painstakingly hand-painted and computer-animated, all framed in meticulous cinematography.

“In a typical 3D production, every element, from the characters to the background, is modeled in three dimensions,” said Barthelemy Maunoury, Fortiche’s animation director for Esoteric, explained to Mashable.

“At Esoteric, it’s slightly different – the backgrounds are digitally hand painted and the texture of the characters is designed to achieve that graphic look that matches the surroundings. We also mainly use 2D animation for effects (explosions, tears, smoke …) to enhance the painted look. In the details it’s a bit more complicated but it’s more or less how you end up with something that looks like an illustration. “

The character Jinx in Netflix "Esoteric"

Out of the game and in the series: Jinx confronts his demons.
Credit: Netflix

Create an animated series based on the story and playable characters (or champions) of League of Legends comes with a heavy baggage – millions of people requisition these characters daily, intimately knowing their physique, their voices and especially their weapons. Each character’s facial movements are incredibly complex, bringing nuance to the reaction, raw emotion to excellent delivery by the cast, and credibility to these unreal characters usually known from a top-down perspective, seen on the Rift. the summoner (the game’s battle arena).

Fortiche and Riot have joined forces to bring these beloved characters to life.

Jinx and Vi in "Esoteric"

A meaningful and moving moment for Vi and Jinx, beautifully hand painted.
Credit: Netflix

“We worked very closely with Riot to make sure the story and IP were respected. That said, animation is a different medium than video games, so we also had to adapt the character animation and create our own. own style, ”said Maunoury. .

“Our goal was to strike a good balance between realism and ‘cartoon’ style. Since our characters have semi-realistic proportions, they need to move and behave realistically with weight and solid body mechanics. . But to keep the appeal and avoid any strange valley effect, we also had to bring in some traditional animation techniques, which is why we didn’t do a mocap. [motion capture] but only a keyframe animation that allows us to control our acting performance and our aesthetics. “

Advisor wearing complex necklace in Netflix "Esoteric"

it turns !
Credit: Netflix

For existing and new characters, the costumes in the series are elegantly detailed and tailored, with jaw-dropping elements like geometric belt buckles and steampunk goggles appearing throughout. In the posh town, Piltover officials wear golden embellishments on their clothes – Councilor Shoola’s incredible kinetic necklace casually spins like a clock, and police wear gold metal masks to roam Zaun.

Meanwhile, in Zaun, the characters wear the jacket of whoever they can steal, polishing their own steampunk look from leftovers in The Lanes. It’s a filthy haunt of bars, clubs, brothels, and street food vendors, illuminated by smoky green hues and the promise of fun that lurks behind every closed door.

A group of characters in Netflix "Esoteric

Vi and the gang.
Credit: Netflix

“Designing characters belonging to the well-known PI can be tricky,” Maunoury said. “But with the support of the artists at Riot and the trust of Christian Linke and Alex Yee, the creators of Esoteric, we had a lot of fun doing this job. ”

Fortiche usually begins with a writ of Esoteric the directors Arnaud Delord and Pascal Charrue, who bring reference moodboards to the team. Once the character designers have their sketches reviewed by Riot and the directors, they also need to be technically approved to ensure the design can be done within budget.

League players will notice the weapons in the show almost immediately, and Fortiche didn’t make a mockery of them – the DIY punk mechanical chompers and Jinx’s machine gun appear in the game and show, for example. “The weaponry is probably one of the things we have diverged the least from the game because it is a key part for the champions and we wanted to make sure MDRFans of “would recognize them in the show,” Manoury said. “We did adapt some elements though, to make sure the functionality would make sense when our heroes manipulate them.”

Jinx in Netflix "Esoteric."

It’s a hell of a weapon to carry.
Credit: Netflix

But often the characters are overshadowed by the scene itself. Interiors and exteriors, taken from League lore, are extremely detailed, right down to the glass, and they often steal the scene they set up. There is a distinct difference between the winding, shaded, neon-lit streets of Zaun and the luminous, mechanical and Art Deco walks of Piltover, glistening with gold and glass like a landscape straight out of Bioshock Infinite. Meanwhile, the buildings across the river are replenished with whatever is left.

A view of Piltover in Netflix "Esoteric"

The roofs are itching to be rushed through.
Credit: Netflix

“These places exist in the tradition of League of Legends, so we did not start from scratch, ”said Maunoury. “The process is no different from designing a character. The place has to tell a story and is, of course, as important as a hero. We put together a lot of research on moodboards, defining colors, shapes or patterns that adapt to the environment to make sure we keep consistency during the design process. I don’t have a particular favorite but if I had to choose between Zaun and Piltover, I would have to choose Zaun! “

“It’s as if the scene you are watching is the movie of her life that Jinx is editing herself with rage, scribbling directly on the movie.”

– Barthélémy Maunoury

One of the biggest animation style differences Fortiche plays in Esoteric is the cohesive base animation and glowing, distorted neon scribbles that often accompany the inner turmoil of Powder / Jinx. It’s a particularly striking technique, similar to a graphic novel, which mixes 3D and 2D elements, for which Fortiche is well known.

“We usually use this mixture for effects like fire, gunshot, smoke,” Maunoury said. “The idea here was to use 2D animations and movie scratches to get you inside Jinx’s mind. It’s like the scene you’re watching is the movie of his life that Jinx is doing. to edit herself with rage, doodling right on the movie! Well done! to the 2Dfx team who did a great job designing and animating these scribbles. Also the editing and composition team for the final look! “

The character Jinx in Netflix "Esoteric"

Jinx’s inner world is not a fun place.
Credit: Netflix

That you played League of Legends or not, the sheer beauty of EsotericThe animation of should take you where a truly engaging and extremely dark story awaits. Don’t let the fact that you didn’t fight on the Rift keep you from enjoying it.

Esoteric is now streaming on Netflix.


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Animated video editor – Cynopsis Media https://samt2010.org/animated-video-editor-cynopsis-media/ Wed, 17 Nov 2021 22:32:44 +0000 https://samt2010.org/animated-video-editor-cynopsis-media/ Company presentation EarthX hosts the world’s largest environmental exhibition, conference, film festival, and virtual television channel and is a member of IUCN, the International Union for Conservation of Nature. Founded in 2011 as Earth Day Dallas by environmentalist and businessman Trammell S. Crow, the Texas-based 501 (c) (3) nonprofit promotes environmental awareness and impact through […]]]>

Company presentation

EarthX hosts the world’s largest environmental exhibition, conference, film festival, and virtual television channel and is a member of IUCN, the International Union for Conservation of Nature. Founded in 2011 as Earth Day Dallas by environmentalist and businessman Trammell S. Crow, the Texas-based 501 (c) (3) nonprofit promotes environmental awareness and impact through through conscious businesses, non-partisan collaboration and sustainable community-based solutions.

EarthxTV is the only member-supported 24 × 7 channel and VOD library that broadcasts original environmental series, award-winning films, daily news and world events. Our vision is to bring together business, government, academic institutions, nonprofits and the public to create long-term sustainable change. We are closing the gap on environmental issues. We are the intersection between the left and the right.

OUR MISSION To inspire and energize the global community in ways that help create a sustainable world for all living things and a better, cleaner and healthier world for future generations.

We are looking for a creative hero of the planet with video editing and motion graphics. They must have strong video editing skills, take creative direction with a smile, and be able to perform personally with a collaborative team for epic creative deliveries. Simply put, that person will create a video that inspires, moves, and impacts culture for lasting change.

The EarthX Creative Department is a full-service production house that supports all departments and partners in the organization. It is home to a diverse collaborative group of design visionaries that brings together all creative disciplines working on marketing and branding projects. This includes designers, copywriters, editors / motion, and the marketing team. Our mission is to create impactful content that elevates collective consciousness. For our planet. For our future.

You will most often be:

  • Work with the creative team to think about brand identifiers, display promotions, promotions and brand concepts, design style frames, create storyboards, compose and edit videos, animate headlines, cut for media social and real pitch
  • Manage all technical aspects of video production (from development to publication)
  • Be quick to deliver several new layout / design iterations that are informed and complement existing creative and design styles inherent in our individual products under EarthX brand guidelines
  • Execute projects with attention to detail and on time
  • Understanding and execution on creative briefs, reviews and creative problem solving


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Animation and Visual Effects Design Software Market Size, Key Opportunities, Strategic Assessment, High Revenue https://samt2010.org/animation-and-visual-effects-design-software-market-size-key-opportunities-strategic-assessment-high-revenue/ Wed, 17 Nov 2021 03:10:24 +0000 https://samt2010.org/animation-and-visual-effects-design-software-market-size-key-opportunities-strategic-assessment-high-revenue/ The World Report Animation Design Software Market and VFX Market has been provided by researchers for a detailed understanding of the market performance over an estimated period of 2021 to 2026. However, this report has introduced a brief overview to provide the reader with better insight into this report. This brief description contains a basic […]]]>

The World Report Animation Design Software Market and VFX Market has been provided by researchers for a detailed understanding of the market performance over an estimated period of 2021 to 2026. However, this report has introduced a brief overview to provide the reader with better insight into this report. This brief description contains a basic definition of the product or service studied in the report. Along with this, it also contains a summary of the main applications of this product or service in various industrial sectors. In addition, market research experts also provided information about the manufacture or production of the product or service and its distribution strategy.

Other significant factors studied in the Global Animation and Visual Effects Design Software Market report include demand and supply dynamics, industry processes, import and export scenarios, R&D development activities and cost structures. Besides, this report also calculates demand and supply figures for consumption, production costs, gross profit margins and selling price of products.

Get a FREE copy of this report with charts and graphs at: https://reportsglobe.com/download-sample/?rid=272959

The segmentation chapters allow the readers to understand aspects of the market such as its products, available technology, and applications. These chapters are written to describe their development over the years and the course they are likely to take in the years to come. The research report also provides detailed information on new trends that could define the development of these segments in the coming years.

Animation and visual effects design software market segmentation:

Animation Design and VFX Software Market, by Application (2016-2027)

  • Media
  • Entertainment
  • Games

Animation and Visual Effects Design Software Market, by Product (2016-2027)

  • Animated videos
  • Character animation
  • Sequence images
  • Visual effects using infographics

Major Players Operating in Animation Design Software and VFX Market:

  • Adobe System
  • Autodesk
  • Corel
  • Toon boom animation
  • Side effects software

Company Profiles – This is a very important section of the report which contains accurate and detailed profiles for the major players in the global Animation Design and VFX Software Market. It provides information on core business, markets, gross margin, revenue, price, production, and other factors that define the market development of the players studied in the Animation Design Software Market report and VFX.

Global Animation Design Software and VFX Market: Regional Segments

Different sections on regional segmentation present regional aspects of the Global Animation Design and VFX Software Market. This chapter describes the regulatory structure likely to have an impact on the entire market. It highlights the political landscape of the market and predicts its influence on the global animation design and VFX software market.

  • North America (United States, Canada)
  • Europe (Germany, United Kingdom, France, rest of Europe)
  • Asia Pacific (China, Japan, India, rest of Asia-Pacific)
  • Latin America (Brazil, Mexico)
  • Middle East and Africa

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The objectives of the study are:

  1. To analyze the global Animation and Visual Effects Design Software status, future forecast, growth opportunities, key market and major players.
  2. To present the development of animation and visual effects design software in North America, Europe, Asia-Pacific, Latin America, Middle East and Africa.
  3. Draw up a strategic profile of the key players and analyze in depth their development plan and strategies.
  4. To define, describe, and forecast the market by product type, market applications, and key regions.

This report includes the market size estimate for Value (Million USD) and Volume (K units). Top-down and bottom-up approaches have been used to estimate and validate the market size of the Animation and Visual Effects Design Software market, to estimate the size of various other dependent submarkets in the overall market. Major market players were identified by secondary research, and their market shares were determined by primary and secondary research. All percentages, divisions and distributions were determined using secondary sources and verified primary sources.

Some important points from the table of contents:

Chapter 1. Research methodology and data sources

Chapter 2. Executive summary

Chapter 3. Animation Design and VFX Software Market: Industry Analysis

Chapter 4. Animation Design and Visual Effects Software Market: Product Overview

Chapter 5. Animation Design and Visual Effects Software Market: Application Overview

Chapter 6. Animation Design and VFX Software Market: Regional Insight

Chapter 7. Animation Design and VFX Software Market: Competitive Landscape

Ask your questions about personalization to: https://reportsglobe.com/need-customization/?rid=272959

How Reports Globe is different from other market research providers:

The creation of Reports Globe was supported by providing clients with a holistic view of market conditions and future possibilities / opportunities to derive maximum profit from their businesses and help them make decisions. Our team of in-house analysts and consultants work tirelessly to understand your needs and come up with the best possible solutions to meet your research needs.

Our Reports Globe team follows a rigorous data validation process, which allows us to publish editor reports with minimal or no deviation. Reports Globe collects, separates and publishes more than 500 reports per year covering products and services in many fields.

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E-mail: [email protected]

Website: Reportsglobe.com


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Redditor makes jaw-dropping shiny Pokemon Gyarados card animation https://samt2010.org/redditor-makes-jaw-dropping-shiny-pokemon-gyarados-card-animation/ https://samt2010.org/redditor-makes-jaw-dropping-shiny-pokemon-gyarados-card-animation/#respond Thu, 11 Nov 2021 15:02:59 +0000 https://samt2010.org/redditor-makes-jaw-dropping-shiny-pokemon-gyarados-card-animation/ Entertainment Published on November 11, 2021 Andrew McMahon Home ” Entertainment ” Redditor makes jaw-dropping shiny Pokemon Gyarados card animation The Pokemon trading card market has come back in full force recently, as collectors go nuts trying to get their hands on the rarer cards. But while there are plenty of amazing cards of full […]]]>

Entertainment

The Pokemon trading card market has come back in full force recently, as collectors go nuts trying to get their hands on the rarer cards. But while there are plenty of amazing cards of full art, tag team, and VMax rarity that are mind-blowing to look at, there are few Pokémon cards quite as cool as what a Redditor created during its time. free.

As you can see in the Pokemon subtitle post below, user XoXcHriisXoX has created an absolutely stunning animated version of their Shining Gyarados card, with an ocean floor, lightning, and rain to really help out. to set the mood.

What’s more impressive is that this isn’t even the first Pokemon trading card animation of this style that XoXcHriisXoX has created. A glance at their post history shows that they’ve been creating these cool animations for a few months now, making versions for Espeon, Charizard, and Mew, to name a few.

Anime fans are not left out either, as the artist has also made some impressive Dragon Ball Super and My Hero Academia animations. You can find out all they have to offer by simply visiting their username homepage. here.

If you’re still looking for more Pokemon related content, be sure to check out all of the similar posts we have below. This includes plenty of features, news, and quizzes that fans of the series will surely love.

Featured Image Source: Bulbapedia


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‘Arcane’ is a new generation of mature animation for Netflix gamers https://samt2010.org/arcane-is-a-new-generation-of-mature-animation-for-netflix-gamers/ https://samt2010.org/arcane-is-a-new-generation-of-mature-animation-for-netflix-gamers/#respond Sun, 07 Nov 2021 02:05:31 +0000 https://samt2010.org/arcane-is-a-new-generation-of-mature-animation-for-netflix-gamers/ Vi bounces her leg when she’s nervous. It’s something she does throughout the first 4 episodes of Esoteric, the Netflix collection mainly based on League of Legends lore, and it’s tiny but lovely demeanor. Vi’s leg shakes up and down in anxious anger as she argues with her boyfriend from a crushed chair in their […]]]>

Vi bounces her leg when she’s nervous. It’s something she does throughout the first 4 episodes of Esoteric, the Netflix collection mainly based on League of Legends lore, and it’s tiny but lovely demeanor. Vi’s leg shakes up and down in anxious anger as she argues with her boyfriend from a crushed chair in their makeshift lair; later, her knee bounces as she sits alone in a dark room, facing certain fate. It’s one thing that makes Vi feel really current, like she has a historical past that she carries with her, as pure as her pink hair.

Even if Esoteric is full of amazing movement and delightful animation, little details like these really bring the world to life – only for Jinx to smash it to pieces.

Riot games

Warning: slight spoilers for the first 4 episodes of Esoteric cheeky.

Esoteric begins with a quintessential Class War story, depicting violent clashes between the wealthy people of Piltover and the oppressed prison society of Zaun, home to Vi, Jinx, and their crew. In the first three episodes, Vi and Jinx are young: Vi is the leader of a small gang of outlaw teenagers, while Jinx – who is really called Powder at the moment – is his little one. sister, a few years of heist expertise and development spurts. behind the others. By the fourth episode, Vi and Jinx are older and on an equal footing, even once they find each other upside down.

The sisters begin surrounded by their loved ones, as well as their father, Vander, who acts as Zaun’s unofficial mayor. A former resistance leader, Vander runs a bar known as The Last Drop and tries to keep the peace with the Enforcers, Piltover’s militarized security group. Meanwhile, scientists at Piltover are set to harness artificial magic, while Zaun’s vilest forces create monster soldiers by feeding people a shimmering purple liquid. Overall, it’s a recipe for battle.

EsotericThe disparate worlds of are vibrant, immense and alive, Piltover gleaming gold among the clouds and Zaun buried in filth, stuffed with sweet inexperienced poisoners. The present itself is much less like an anime and more like an almost R-rated Disney movie, with smooth character actions and elaborate environments, courtesy of Riot Games’ animation studio, Fortiche Production. The set looks like it’s the product of motion capture craftsmanship, but it’s hand-animated in a combination of 2D and 3D.

The fights in Esoteric are significantly beautiful. Vi is a boxer, dipping in with raised fists, while Jinx has a bunch of semi-functional handcrafted grenades covered in pencil scribbles, allowing her to participate from afar – though she has to be with the big kids, in the heart of the movement. . The biggest battles will likely take place in slow motion, with emotional digital music vibrating in the scenes and close-up footage of vicious punches, heavy kicks, and last-second dodging. At wider angles, every body in these fights has wallpaper potential.

Riot games

Esoteric takes its time establishing characters and revealing how they’re all intertwined, and at the end of episode three that work crashes into a big fight scene and pays off in a very effective approach. In League of Legends tradition, Vi and Jinx are bitter rivals, but in Esoteric, they start out as sisters with a deep and real love for each other. They help each other, save their lives and collectively disintegrate. They really feel inseparable. It takes a catastrophic thing to tear them apart, and Esoteric exposes us every horrible second. It is heartbreaking.

It’s not just about Vi and Jinx, and there are a lot of different things League of Legends characters with main roles in Esoteric, with Viktor, Jayce, Ekko, Caitlyn and Heimerdinger. As a recess fan, I really feel a cozy spark whenever I recognize a face or title in Esoteric, but that does not detract from the expertise of those who do not already know who these people are. It’s an origin story, despite everything.


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